Yikes, my computer screen is filled with an ugly font. Yet, this ugly font seems to make grammar or punctuation errors on the monitor jump out.
Apparently, ugly fonts help proofreading because they make mistakes show up more clearly.
Perhaps because I'm not used to viewing that font, perhaps because
the font emphasizes sentence structure rather than the flow of text, like standard fonts. I don't quite get the WHY, all I know is that ugly font approach works.
Book #1 is in the editing phase, and I'm altering sentence beginnings, grammar, and punctuation. To do this, it helps to focus on the structure of the sentences, thus the UGLY FONT.
Also, the ugly font is also sized to a large font size, so that the screen resembles a kindle page. So, I now have a large ugly font staring me in the face.
Another proofreading tip is to use a Text-to-Speech software to read the text back to you while you read along onscreen. So you have a better chance of finding mistakes if you both see and hear them. Dragon NaturallySpeaking has an accurate "Read That" feature. So, the combination of the Ugly Font and Listening while reading on the screen, does the trick.
Finally, proofreading by Point of View (POV) helps maintain that particular POV Character's voice. If you're writing in multiple POVs, then edit all the scenes and/or chapters for one character at a time. That way the style of the character's voice is maintained throughout that character's chapters.
Off to proof Book #1 in Ugly Font!
Showing posts with label Writing Process. Show all posts
Showing posts with label Writing Process. Show all posts
Monday, September 23, 2013
Wednesday, August 28, 2013
Lessons from The Profit Applied to Writing
The Facebook description of The Profit series states: Self-made multi-millionaire Marcus Lemonis is the only business turnaround expert on television investing millions of his own money to save small businesses.
In the venue of the reality television show, Marcus shares, sometimes with a twist of are-you-kidding-me drama, about business success using the three P's: People, Process, and Product.
PEOPLE, PROCESS, and PRODUCT (as it pertains to writing)
People
The initial drafting and revision of a book involves me, myself, and I. Then there's my mentor/coach, Kat Duncan, who provides guidance, accountability, and has graciously offered to edit the series. And last, but not least, those folks that have and are providing Beta Reader feedback. Yet, primarily, the People aspect is simple because overall the majority of the workload and production falls on my shoulders.
But then again, maybe not so simple.
If I am experiencing health issues and am unwell, I cannot write, revise, or work on writing related processes adequately or at times if at all. Due to not being well, I am far more behind in my projected revision schedule for the series than I could have predicted.
I have sought medical care, which has determined what my condition is not, yet I continue to experience fatigue, lack of focus, and other not-fun symptoms. Bottom, line if I can't function properly and am unable to produce, there is no Process or Product.
Process
I lightning drafted all five (5) books in the series. Lightning drafting requires quite a bit of "putting in" of additional text and serious time-consuming revision effort.
Creating a GMCD chart for the first draft and then making a check off list for the revisions provides a road map and guidance.
The process involves sitting with self in front of the computer terminal and eliminating distractions.
Product
My books are my product. With the contribution of the first two categories, People and Process, a book is written.
Yet, I do not have a completed Product yet.
The mock covers pop.
An editor is lined up.
Before I have a Product, just not a concept, People and Process must perform and come together to create the completed book series.
PEOPLE, PROCESS, and PRODUCT Game Plan
Addressing People Issues
My ability to function, as a writer, and to focus, concentrate, and write MUST be addressed. I continue to conduct research of possible solutions and have yet more doctors appointments scheduled.
I have my older computer set up across the room to play my exercise videos (Oxycise, for instance), with a goal of exercising first thing, before I sit down at the computer.
Also, I am adding a few mineral and vitamin supplements that hopefully will assist in getting my health back on track.
Addressing Process Issues
Better eliminating or avoiding distractions is a MUST.
Lack of focus, hopefully addressed by addressing People issues, has increased my levels of distraction, therefore I have discovered a software that blocks all internet access except for the sites I specify (AutoCrit, for example) and another software that limits computer time in spaced out increments so that I take a break every hour to hour and a half.
My current revision plan is flawed and the process IS NOT working; therefore, I need to step back and reassess. Ask around, do more research as to what might work better.
How might I better tackle the revisions in a more successful, efficient way?
First item on list, is to research and to reach out to writerly resources for advice.
Addressing Product Issues
Product Issues will be on the table by and after People and Process issues have been addressed.
Tabled and marked: To Be Done!
THE PROFIT
I highly recommend checking out this reality TV show!
Thanks to you, Marcus Lemonis, this writer gal just may be on her way!
Thursday, August 8, 2013
Lightning Drafting Downside
I tried lightning drafting and finished the first drafts of five (5) books. However, I am now left with EXTENSIVE revision and editing. So, for those soon-to-be writers or writers looking for a quick first draft, my suggestion is DO NOT lightning draft.
During a lightning draft, for instance, an author rushes to get their story on the page. You might type: INSERT fight scene here or include dialog with just a name of the speaker only so that you keep on typing.
These shortcuts require going back through the skeltonized material and fleshing out and at times even rewriting scenes.
Had I slowed down the first drafts, the process might have taken twice as long; however, with this route, it's taking a great deal longer than the process would have had I slowed down the first draft and ended up with a close-to-final version in the first place.
Instead of taking perhaps one and a half to two times as long, this technique has resulted in taking three to four times as long.
From one writer to another, I highly recommend NOT lightning drafting. It's doing double duty and creates additional prolonged revisions.
Once this current series is complete, my goal will be to complete stronger first drafts not lightning ones.
Back to revision. Onward!
During a lightning draft, for instance, an author rushes to get their story on the page. You might type: INSERT fight scene here or include dialog with just a name of the speaker only so that you keep on typing.
These shortcuts require going back through the skeltonized material and fleshing out and at times even rewriting scenes.
Had I slowed down the first drafts, the process might have taken twice as long; however, with this route, it's taking a great deal longer than the process would have had I slowed down the first draft and ended up with a close-to-final version in the first place.
Instead of taking perhaps one and a half to two times as long, this technique has resulted in taking three to four times as long.
From one writer to another, I highly recommend NOT lightning drafting. It's doing double duty and creates additional prolonged revisions.
Once this current series is complete, my goal will be to complete stronger first drafts not lightning ones.
Back to revision. Onward!
Thursday, August 1, 2013
Hitting Send
With my first-round of revisions finished, I attached the book to an email to send to my writing coach and mentor for a final review before editing. I sat with the cursor pointer hovering over SEND.
Ten minutes later, pointer still hovering, hubby dropped by and said, "You've already done the hard part. Sending it is the easy part." (Gotta love that man!)
That loveable man was right, so I pressed SEND.
Book #1, Series #1, sent.
Second later, the questions started:
I look forward to the coach/mentor's comments and then will go on from there. First, I need to step back from the book, let someone else review and share their insight, then I'll perform another review.
One thing I am learning is that my writing process proceeds in stages and layers.
In the future, once this series is complete, my goal will be to write stronger first drafts so that less revision is required.
Also, I realize that you can take classes to help you grasp craft, but its the act of actually writing from which a writer learns.
And, boy, am I learning...
Ten minutes later, pointer still hovering, hubby dropped by and said, "You've already done the hard part. Sending it is the easy part." (Gotta love that man!)
That loveable man was right, so I pressed SEND.
Book #1, Series #1, sent.
Second later, the questions started:
- Does it include too much telling versus showing?
- Is there enough emotional connection with readers?
- Are the character growth arcs strong enough?
- Might I use more similes and metaphors?
- Was the POV deep enough?
I look forward to the coach/mentor's comments and then will go on from there. First, I need to step back from the book, let someone else review and share their insight, then I'll perform another review.
One thing I am learning is that my writing process proceeds in stages and layers.
In the future, once this series is complete, my goal will be to write stronger first drafts so that less revision is required.
Also, I realize that you can take classes to help you grasp craft, but its the act of actually writing from which a writer learns.
And, boy, am I learning...
Thursday, July 25, 2013
Step Away and Get More Done!
In spending less time at the computer, I'm getting much more done writing- and revision-wise on the computer. That sounds odd, I know.
You see, I've been experimenting with taking breaks away from the computer, and amazingly, my revising is progressing at a faster pace. Rather than sit at the computer for 12 hours or more a day with few breaks, I write in 1 1/2-hour time blocks.
During that 1 1/2 hours, that's all I do. Revise. It's a drill-down focus on the chapter in front of me. Revise, move on the next chapter. Revise. It's an intense hyper focus on writing for that hour and a half.
After years of extended hours in front of the computer job-wise, I find it difficult to actually take breaks and walk away from the keyboard; therefore, I am utilizing TimesUpKidz software to enforce 30-minute breaks every 1 1/2 hours.
During break time, I nap, read, bake, clean, declutter, exercise, play with the puppy, go in search of hubby hugs, etc.
The book Be Excellent at Anything: The Four Keys To Transforming the Way We Work and [Kindle Edition] explains the process in more detail.
Bottom line, I am getting more done and am much less stressed and far less fatigued. In stepping away, I am accomplishing and enjoying more.
As hard as I pushed during my day jobs, I so wish I'd learned this technique way back when, but I'm on to it now, so if you'll excuse me, I'm stepping away...
You see, I've been experimenting with taking breaks away from the computer, and amazingly, my revising is progressing at a faster pace. Rather than sit at the computer for 12 hours or more a day with few breaks, I write in 1 1/2-hour time blocks.
During that 1 1/2 hours, that's all I do. Revise. It's a drill-down focus on the chapter in front of me. Revise, move on the next chapter. Revise. It's an intense hyper focus on writing for that hour and a half.
After years of extended hours in front of the computer job-wise, I find it difficult to actually take breaks and walk away from the keyboard; therefore, I am utilizing TimesUpKidz software to enforce 30-minute breaks every 1 1/2 hours.
During break time, I nap, read, bake, clean, declutter, exercise, play with the puppy, go in search of hubby hugs, etc.
The book Be Excellent at Anything: The Four Keys To Transforming the Way We Work and [Kindle Edition] explains the process in more detail.
Bottom line, I am getting more done and am much less stressed and far less fatigued. In stepping away, I am accomplishing and enjoying more.
As hard as I pushed during my day jobs, I so wish I'd learned this technique way back when, but I'm on to it now, so if you'll excuse me, I'm stepping away...
Friday, June 21, 2013
Writing Dark Suspense
Suspense, Thrillers, Romance, Paranormal, and, yes, Horror Fiction are on my To-Do list of what type of books I want to write.
While there's still a few weeks of revision remaining of the five-book Young Adult Paranormal Thriller series, in the back of my mind, there's a dark suspense brewing.
Something haunting and twisted lurks just beneath the surface . . . whoa, am I watching too many scary movies and haunted this or that television shows and reading an overabundance novels of terror, or what?
Yet the story stays with me, evolving and expanding, in the deep recesses of my mind.
A long-time Stephen King and Dean Koontz fan, I completed a Savvy Authors workshop Make it Horror, presented by P. June Diehl. Good timing in that I will be able to digest the lessons before time to start the standalone fiction book, slated to be a novel of terror.
The syllabus to the Make it Horror workshop consisted of the following topics:
Why write dark suspense?
The scary and the obscure call to me (Stephen King, Dean Koontz), they always have, which is why I suppose for the current series, I was drawn toward writing paranormal thriller.
The how and when and why of events draws me in (Stephen King's The Shining and Dean Koontz's Watchers). The inner workings of the human mind -- greed, skewed belief systems, phobias -- has always intrigued me. The thought of haunted houses and night graveyard visits send chills and thrills up and down my spine.
What frightens you in the night or what scares you most during the day? What potential happenings cause goose bumps or encourage you to double check the locks on your doors? What's your biggest most invasive worry? Is there a childhood memory that haunts you still?
Choose one or even a combination of one of the above and write a fictionalized story about those fears, concerns and worries. Keep upping the level of those fears and the strength of the source of those fears and intensifying the conflict between the two. That's dark suspense.
The story slithering through my head, perhaps a psychological thriller with horror elements, will soon rise to the surface. How will I manage to get the story out and how will it evolve? Okay, I gotta say it -- wait for it -- now, that's suspense!
While there's still a few weeks of revision remaining of the five-book Young Adult Paranormal Thriller series, in the back of my mind, there's a dark suspense brewing.
Something haunting and twisted lurks just beneath the surface . . . whoa, am I watching too many scary movies and haunted this or that television shows and reading an overabundance novels of terror, or what?
Yet the story stays with me, evolving and expanding, in the deep recesses of my mind.
A long-time Stephen King and Dean Koontz fan, I completed a Savvy Authors workshop Make it Horror, presented by P. June Diehl. Good timing in that I will be able to digest the lessons before time to start the standalone fiction book, slated to be a novel of terror.
The syllabus to the Make it Horror workshop consisted of the following topics:
- Starting with a Dark Idea
- Writing from Our Fears
- Horrible Characters & Creating Monsters
- Horrible Events (Plot)
- Eerie Landscapes and Nightmares (Setting)
- Creating Dark Story Tone and Mood
- Crafting the Impossible
- Marketing Your Horror Story
Why write dark suspense?
The scary and the obscure call to me (Stephen King, Dean Koontz), they always have, which is why I suppose for the current series, I was drawn toward writing paranormal thriller.
The how and when and why of events draws me in (Stephen King's The Shining and Dean Koontz's Watchers). The inner workings of the human mind -- greed, skewed belief systems, phobias -- has always intrigued me. The thought of haunted houses and night graveyard visits send chills and thrills up and down my spine.
What frightens you in the night or what scares you most during the day? What potential happenings cause goose bumps or encourage you to double check the locks on your doors? What's your biggest most invasive worry? Is there a childhood memory that haunts you still?
Choose one or even a combination of one of the above and write a fictionalized story about those fears, concerns and worries. Keep upping the level of those fears and the strength of the source of those fears and intensifying the conflict between the two. That's dark suspense.
The story slithering through my head, perhaps a psychological thriller with horror elements, will soon rise to the surface. How will I manage to get the story out and how will it evolve? Okay, I gotta say it -- wait for it -- now, that's suspense!
Saturday, June 15, 2013
Follow the Revision Road
First of all, I have to admit, pulling the individual working chapter files together into one single file solidified that, yes, this IS a book. Being in the fictional world while writing a draft of a book tends to be very different than entering the fictional world via revision.
The bricks that make up Revision Road are many.
The items on my Revision Checklist for each scene/chapter include include:
- Spell Check
- MyWriters Tools
- External Environment Layering:
- Weather
- Outside bldg. details
- Outside sounds - Layering Outward / Physical Details:
- Hair/eye color
- Height/weight
- Style of clothing
- Facial expressions
- Body language
- Visceral Reactions - Senses Layering:
- Sight
- Hearing
- Touch
- Smell
- Taste
- Pain
- Temperature
- Time
- Motion/Acceleration
- Direction
- Balance - Anchoring:
- POV
- When / Time passed
- Where
- Current Feeling
- Voice
- Dialogue / Tags - Scene Review:
- Beginning Hook
- Exposition
- Backstory
- Sensory Details
- Emotions
- GMCD Clear
- Themes/Motifs
- Ending Hook
- Pacing - Foreshadowing:
- Plant
- Payoff - AutoCrit (Details):
- Typos
- Repetition
- Continuity/Timeline
- Clarity (Who’s who) - MyWriter Tools Round 2
- Spell Check Round 2
-
Levels (1 thru 10):
- Level of Caring
- Level of Worry
- Level of Conflict
- Level of Tension - Character Growth Arc
- Beginning Scene Pacing
- Middle Scene Pacing
- Ending Scene Pacing
- Overall Scene Pacing
- Dragon Speaks Reading
There are some rewrites--amazingly, I've learned a few little somethings during the process of writing the series--then I weave in the above to ensure the scene and chapter best entertains the reader and the writing and characters best connect with the reader.
Revision first, editing next.
What a journey this has been and continues to be.
Saturday, June 8, 2013
The End and Then Some
What does it feel like to type THE END?
The first draft of the final book in Series #1 is complete. Five books drafted, with revisions starting later today. In a few days, my one-year of writing full-time becomes a milestone. At the fourteenth-month mark, I will have completed, revised, and final drafted a five-book series. Ideas for the next few books have been simmering, and diving into writing the next series is only a few weeks away.
Those are the facts, yet when asked how does reaching this milestone and finishing the series feel, I didn't have the insight or the words to describe those feelings, so I turned to the Alexa Writes Books blog to tap into the experience and those emotions.
First of all, I am breathless with relief. Not a boy-I'm-glad-that's-over-with relief, but it's as if I've been holding my breath in anticipation when I hadn't realized I wasn't breathing full lungfuls of air for a very long time. This series has been years in the making, and finally found its way to the page.
The this-is-complete relief is tinged with sadness.
I finished a five-book series, whoo-hoo, right? Yet there's sort of a feeling of loss as if I am preparing to let the series go and say goodbye to the characters that will have been with me for over a year. Happy, sad, bittersweet.
There's also a sense of accomplishment, mixed with apprehension about the next phase of my writing-books-and-making-a-living goal. Sending the book to an editor, making final editing changes, self-publishing. Yikes, talk about fish-out-of-water sensations.
Also, I am experiencing a sense of excitement. This is the Yeah, Baby! moment. A kind of satisfaction of pursuing a dream and living it. The thrill of reaching my goal tingles right down to my toes.
Of course, there's also the enthusiasm of diving into the next project and the next, while basking in the surety that I finished the previous book and/or series and did my best before moving on.
THAT's how it feels to type THE END.
Series #1 revisions, here I come!
The first draft of the final book in Series #1 is complete. Five books drafted, with revisions starting later today. In a few days, my one-year of writing full-time becomes a milestone. At the fourteenth-month mark, I will have completed, revised, and final drafted a five-book series. Ideas for the next few books have been simmering, and diving into writing the next series is only a few weeks away.
Those are the facts, yet when asked how does reaching this milestone and finishing the series feel, I didn't have the insight or the words to describe those feelings, so I turned to the Alexa Writes Books blog to tap into the experience and those emotions.
First of all, I am breathless with relief. Not a boy-I'm-glad-that's-over-with relief, but it's as if I've been holding my breath in anticipation when I hadn't realized I wasn't breathing full lungfuls of air for a very long time. This series has been years in the making, and finally found its way to the page.
The this-is-complete relief is tinged with sadness.
I finished a five-book series, whoo-hoo, right? Yet there's sort of a feeling of loss as if I am preparing to let the series go and say goodbye to the characters that will have been with me for over a year. Happy, sad, bittersweet.
There's also a sense of accomplishment, mixed with apprehension about the next phase of my writing-books-and-making-a-living goal. Sending the book to an editor, making final editing changes, self-publishing. Yikes, talk about fish-out-of-water sensations.
Also, I am experiencing a sense of excitement. This is the Yeah, Baby! moment. A kind of satisfaction of pursuing a dream and living it. The thrill of reaching my goal tingles right down to my toes.
Of course, there's also the enthusiasm of diving into the next project and the next, while basking in the surety that I finished the previous book and/or series and did my best before moving on.
THAT's how it feels to type THE END.
Series #1 revisions, here I come!
Wednesday, April 24, 2013
Author Dean Wesley Smith is Doing What?
(Common Writing Myths)
When it comes to writing techniques and processes, one size does not fit all. What works for my favorite authors may not work for me, yet one techinique used by another might be just the ticket. That's why I've been fascinated with Author Dean Wesley Smith's shared novel writing experience. He is ghost writing a 70,000-word novel, which he's set a target to write in 10 days or less, and is chronicling the writing of the book on his blog.
During Dean Wesley Smith's writing marathon, he's taking the time to graciously answer questions in the comment sections of his posts, providing answers that are pearls of wisdom for writers eager to debunk traditional writing myths.
The ten (10) of the most common writing myths, I personally have encountered include:
1) Fast writing can't be good writing.
2) The writing journey must be filled with angst and struggle to provide validation.
3) Large chunks of time are required to write any words of value.
4) The muse must visit and you must feel inspired in order to write.
5) The writing of a novel is mysterious and difficult, and meant for only a chose few.
6) Only a chosen few actually "get" how to write a novel.
7) Good writers are born, not taught or self-created.
8) If the writing process is easy, multiple revisions must be performed.
9) To write, the writer must have complete quiet and no distractions.
10) Good writing is innate, it does not come from the act of actually writing, then writing some more.
Fast writing can't be good writing.
Dean is debunking this myth with his writing marathon. His theory is that the quality of writing remains the same whether you write fast, while you are tired and more in a zone (which is why he gets most of his writing done in the wee morning hours), or when refreshed. To me, when you are first drafting, your focus should be on the story, not the words. (In his comment replies, Dean addressed this story versus words issue head on.)
The writing journey must be filled with angst and struggle to provide validation.
My parents believed you must struggle and work hard to earn your way through life. Basically, if you worked a lot, you earned a little. Writing doesn't have to be like that. Writing doesn't have to be a self-suffering journey. My chosen writing journey is fun and satisfying, every step of the way.
Large chunks of time are required to write any words of value.
Dean writes in smaller stints, usually approximately 1 hour in length, spaced out so that he can last the distance of the marathon. In 15 minutes a day, a writer could write a book in a year. No large chunks of time required.
The muse must visit and you must feel inspired in order to write.
What if the muse is on vacation in Maui? Or Inspiration is on a year-long sabbatical in the mountains. Writer's write. The end.
The writing of a novel is mysterious and difficult, and meant for only a chose few.
Not too long ago, a writing workshop instructor claimed that you either got writing a novel or you didn't. Um, okay, then why are you bothering to "instruct" a class, Mr. Instructor? I'm not sure whether this tact is ego-based or territory-derived. Either way, sir, with the help of Rock Your Plot and Rock Your Revisions, I beg to differ.
Only a chosen few actually "get" how to write a novel.
By chosen few, I mean established authors, such as Stephen King, Dean Koontz, and Nora Roberts, who have achieved household name status for their prolific writing in the traditional publishing worlds. Or how about J.A. Konrath or Dean Wesley Smith? They get how to structure, draft, and revise, yet the process must be out of reach for other aspiring authors? Not. (Thank you Joe and Dean for dispelling the myth every day on your writer-supportive blogs!)
Good writers are born, not taught or self-created.
You either are born able to write and possess such mega talent, or you are a wannabe and that's all you'll ever be. Savvy Authors provides numerous courses to authors that debunk this myth in a big way. If they so choose to actually write, wannabes can easily become gonnabes.
If the writing process is easy, multiple revisions must be performed.
Which is why so many books now a days are vanilla. The life has been edited from the style, the voice and the words. Any reader, no matter the genre, will tell you they get tired of the same ol' same ol'.
To write, the writer must have complete quiet and no distractions.
This myth is being dispelled by Dean as well. He writes in stints, takes time out for food breaks and to take naps with his cat. I close myself away, but if something comes up to take me away from writing, I address the issue, then return to my desk. The biggy is coming back to the writing and actually writing.
Good writing is innate, it does not come from the act of actually writing, then writing some more.
A multi-published author recently told me there comes a time when no class or workshop or course is going to be more beneficial than the act of actually writing. You write, write, write, then write some more.
Dean Wesley Smith's Progress
On Day 5, Dean has reached the halfway mark of a novel he didn't outline and claims he has no idea where the story is headed. Dean says he trusts the process and believes the story will come together. Should you get a chance, drop by Dean's blog and share in the experience of a professional writer's schedule, his progress, and his gracious sharing of his writing journey at www.deanwesleysmith.com.
Thank you for sharing your experience, Dean. Good writing and onward!
Tuesday, April 9, 2013
Back to Basics (Progress Tracking & Scene Direction Made Simple)
I jot down what chapters I plan to write when for the entire month, leaving a couple of days off per week to accommodate non-writing time and potential appointments, then make adjustments at the end of each day. I check off completed chapters, and then use another color of ink to adjust chapter numbers if a chapter happens to roll over to the next day. Simple.
For each scene, I hand write (well print, since my penmanship tends to lack readability) a bulleted list of what might possibly happen next in the scene, potential happenings, possible conflicts, dialogue snippets. At the bottom of the page, I note word count when I pause to reflect on what's next in the scene. (Again, simple.)The calendar and note page are nothing fancy, and with the exception of the examples included in this post, are for my eyes only.
The calendar gets messy, but I am able to discern where I stand and what adjustments I might need to make to the schedule. My notes are sloppy, yet I get an idea and gist of what direction the chapter might go or needs to take.
The information on both pages is flexible, ever changing, and helps me keep track and view the first draft status and where the next chapter is possibly headed. Both sit on my writing table for easy referencing. Nothing fancy or complicated, yet they work. Oh so simple!
Did I happen to mention that I love and appreciate simple?
Thursday, April 4, 2013
A Bump in the Road (Writing Onward!)
Just like slowing your car for a BUMP AHEAD sign on the highway, I've been forced to slow my writing pace; however, SLOW does not mean STOP.Goals all worked out and tasks targeted, the past few weeks, I've been writing material better and faster than I've every produced, then unwelcome health issues interrupted my writing flow and are serving as a bump in the road.
Just like on a day job, I have only a few days built into my schedule for unexpected hitches and glitches (such as illness or unexpected family demands); therefore, since writing is my job, writing is a MUST.
Even unwell, when I write, I feel filled up and fulfilled. There is a connectedness to words and to story that makes me feel whole. For me, writing is like coming home.
For today, I have quartered my daily goal. Yet, today, I write.
Sunday, March 24, 2013
Time to Write by Kelly L. Stone
Kelly L. Stone's TIME TO WRITE explains various techniques that address Writing Schedules, Blitzes, Quotas, etc. In TIME TO WRITE, professional writers reveal how to fit writing into your busy life.
My choice of quota type is Chapters; therefore, my goal is to write 10 chapters per week. If I can write those chapters in three or four 12 to 16 hour days, then take the rest of the week to catch up on other non-writerly things and to relax all the better.
During a Writing Blitz, I get up between 4:00 and 5:00 AM to write. Except for coming out of my writing room for bathroom breaks, a quick shower, and in search of food, I do nothing else but write, with limited internet (short infrequent visits throughout the day) and a brief television escape (later in the day to rest my brain), then write until 11:00 PM.
From Kelly L. Stone's website:
TIME TO WRITE: More than 100 Professional Writers Reveal How To Fit Writing Into Your Busy Life– No Excuses, No Distractions, No More Blank Pages (Adams Media)
If you’ve ever thought or said…
- “Someday I’ll write the great American novel…when I have time.”
- “If I were independently wealthy, then I wouldn’t have to work, and then I could write my book.”
- “I’d love to write for national magazines, but don’t you need an ‘in’ to get started?”
________________
This is another writing book that I wish I could have read and applied the techniques shared years ago. TIME TO WRITE is a must read for anyone that has writerly inclinations. Highly Recommend!
Friday, March 22, 2013
SBICAW (Sit Butt in Chair and Write)
Years ago, in a creative writing class at a local community college, the instructor wrote SBICAW on a chalkboard in florescent blue chalk and stabbed at the chalk letters with his index finger. He said, "Sit butt in chair and write, that's how you write a book." At that time, I didn't begin to comprehend the mechanics of writing a novel; therefore, sitting my butt in a chair and writing certainly didn't accomplish much.
However, with the write tools (love that!), such as Cathy Yardley's Rock Your Plot and Rock Your Revisions, learning mechanics, although I'm always continually learning something new about writing, isn't a key issue, I am now able to apply the enthusiastic instructor's SBICAW advice.
No, I don't wait on some sort of muse or inspiration, I sit my butt in a chair and write.
To me, waiting on the muse equates to waiting for inspiration to strike like a thought lightning bolt, or waiting until you are in the mood, or holding off until your toenail polish dries, or . . . . (See where we're headed here?)
The story I want to write is my inspiration. Finishing my book is my inspiration. The desire to write books for a living serves to inspire me. I have written while suffering from an upper respiratory bug and taking cold medication (now, those were interesting chapters). I have written while suffering from anemia so severe I was unsteady on my feet.
If I waited for THE mood to write, whatever "the mood" might be, I would never make / take / claim time to write. As far as waiting on some sort of invisible muse . . . I write because I CHOOSE to write, in the SBICAW way, fifteen minutes at at time.
However, with the write tools (love that!), such as Cathy Yardley's Rock Your Plot and Rock Your Revisions, learning mechanics, although I'm always continually learning something new about writing, isn't a key issue, I am now able to apply the enthusiastic instructor's SBICAW advice.
No, I don't wait on some sort of muse or inspiration, I sit my butt in a chair and write.
To me, waiting on the muse equates to waiting for inspiration to strike like a thought lightning bolt, or waiting until you are in the mood, or holding off until your toenail polish dries, or . . . . (See where we're headed here?)
The story I want to write is my inspiration. Finishing my book is my inspiration. The desire to write books for a living serves to inspire me. I have written while suffering from an upper respiratory bug and taking cold medication (now, those were interesting chapters). I have written while suffering from anemia so severe I was unsteady on my feet.
If I waited for THE mood to write, whatever "the mood" might be, I would never make / take / claim time to write. As far as waiting on some sort of invisible muse . . . I write because I CHOOSE to write, in the SBICAW way, fifteen minutes at at time.
Thursday, March 14, 2013
In Training - Time to Write
I have resisted with much effort using a timer as a tool to accomplish my fiction writing tasks -- as in no-way-no-how-you-can't-make-me-do-this-dig-in-heels resistance. Yet, for the past week, because I am so much more productive writing in short stints, I have been training to write using a timer.
During the last several days, I have been applying a combination of Rachel Aaron's 2k to 10k: Writing Faster, Writer Better, and Writing More of What You Love's ($0.99 Kindle Edition) and Ian Stable's Big Results in Less Time: The time management productivity plan that gets top results - How to get things done in the shortest time for the greatest results ($2.99 Kindle Edition) techniques.
With ten (10) chapters written in five (5) days, there's no denying that this the most prolific route for me to pursue. Writing more in less time is this writer gal's goal, so despite my great resistance, I must pursue what works and what assists me in achieving that goal.
First off, writing in timed blocks feels awkward and restrictive. Secondly, attempting to write within such short time-spans tends to be anxiety inducing. Thirdly, the fact that the technique works is supported by the tracking results. And finally, if it works, then despite my initial discomfort, I need to immerse myself in only allowing myself to write for fifteen minutes at a time.
Going into the second week to of this learning phase, this writer gal's gotta do what a writer gal's gotta do. Train and write.
During the last several days, I have been applying a combination of Rachel Aaron's 2k to 10k: Writing Faster, Writer Better, and Writing More of What You Love's ($0.99 Kindle Edition) and Ian Stable's Big Results in Less Time: The time management productivity plan that gets top results - How to get things done in the shortest time for the greatest results ($2.99 Kindle Edition) techniques.
As you can see from the tracking chart I've adapted from Rachel Aaron's process. Since I know that I draft better on the chaise lounge and revise better at the desk, I eliminated the location column. Instead of tracking # of words written, I track by chapter (for instance I might complete 1 1/2 chapters in 3 hours and 25 minutes).
With ten (10) chapters written in five (5) days, there's no denying that this the most prolific route for me to pursue. Writing more in less time is this writer gal's goal, so despite my great resistance, I must pursue what works and what assists me in achieving that goal.
First off, writing in timed blocks feels awkward and restrictive. Secondly, attempting to write within such short time-spans tends to be anxiety inducing. Thirdly, the fact that the technique works is supported by the tracking results. And finally, if it works, then despite my initial discomfort, I need to immerse myself in only allowing myself to write for fifteen minutes at a time.
Going into the second week to of this learning phase, this writer gal's gotta do what a writer gal's gotta do. Train and write.
Friday, March 8, 2013
Time for Change (Process, Goal, and Schedule Review)
In the last few months, to increase my writing productivity, I have experimented with several writing schedules, such as:
Most of what I consider my low productivity has been due to switching back and forth from drafting one book and revising another; therefore, in order to eliminate the struggle and the slowed progress, for the next six weeks, I will focus on first drafting, while the next six weeks will be dedicated entirely to revising.
If the process ain't working, it's time for change.
I've been attempting to follow the advice of a well-known writing blogger and fiction author. Write fresh first draft material every day, in addition to revising, business activities, etc. While this everything but the kitchen sink process works for this author, the attempt to write and revise at the same time is not working for me.
Should I continue on in an attempt to do both, I will undoubtedly draft several of books, while revising or editing very few of the manuscripts. In experimenting with different time-frames, I have discovered that the blogging author's way is not a path that works for me.
Although task-oriented and able to multitask, I tend to be singularly focused; therefore, either I need to draft one book at a time, then revise and edit that most recently written book before moving on to the next, or draft several books and edit several books, such as those in a series like this one.
Since I'm approximately half way through the current five-book series, I will finish the drafts, then revise and edit, in two distinct phases.
In changing the writing process, I have drilled down the scheduling into daily writing and revision goals to move toward my mid-year series completion goal. Because of my struggle in maintaining a consistent productive pace, I am behind schedule, yet have updated and increased daily writing goals in order to meet the overall goal.
Process reviewed and updated: Check. Goals reviewed and updated: Check. Schedule reviewed and updated: Check. Time for a change: Triple Check!
- Drafting and revision by writing first draft material in the morning and revising in the afternoon,
- Revising in the morning and first drafting in the afternoon,
- Setting aside three or four days for first drafting and three or four days for revision, and
- Alternating weeks of first drafting and revision, while during revision weeks, attempting to first draft for 15 minutes each day to maintain some sort of drafting momentum.
Most of what I consider my low productivity has been due to switching back and forth from drafting one book and revising another; therefore, in order to eliminate the struggle and the slowed progress, for the next six weeks, I will focus on first drafting, while the next six weeks will be dedicated entirely to revising.
If the process ain't working, it's time for change.
I've been attempting to follow the advice of a well-known writing blogger and fiction author. Write fresh first draft material every day, in addition to revising, business activities, etc. While this everything but the kitchen sink process works for this author, the attempt to write and revise at the same time is not working for me.
Should I continue on in an attempt to do both, I will undoubtedly draft several of books, while revising or editing very few of the manuscripts. In experimenting with different time-frames, I have discovered that the blogging author's way is not a path that works for me.
Although task-oriented and able to multitask, I tend to be singularly focused; therefore, either I need to draft one book at a time, then revise and edit that most recently written book before moving on to the next, or draft several books and edit several books, such as those in a series like this one.
Since I'm approximately half way through the current five-book series, I will finish the drafts, then revise and edit, in two distinct phases.
In changing the writing process, I have drilled down the scheduling into daily writing and revision goals to move toward my mid-year series completion goal. Because of my struggle in maintaining a consistent productive pace, I am behind schedule, yet have updated and increased daily writing goals in order to meet the overall goal.
Process reviewed and updated: Check. Goals reviewed and updated: Check. Schedule reviewed and updated: Check. Time for a change: Triple Check!
Monday, March 4, 2013
15 Minutes a Day = A Book In a Year
In order not to lose my first drafting momentum during a revision week, I set aside 15 Minutes a day to draft original material. In those 15 minutes, I am able to write 1 to 1-1/2 pages (250 to 350 words). At 1 page per day or 250 words, even if a writer first drafted only 300 days out of the year, a writer could finish a 75,000-word novel.
My former mindset was that I needed larger chunks of time to be able to focus on my writing. Say three or four hour blocks set aside just to write, which with working full-time plus, of course, never happened.
I see now that this all-or-nothing thinking was a skewed mindset and that I robbed myself of a great deal of writing experience, because at 15 minutes a day, an entire first draft of a novel could be completed in the span of a year.
In order to be able to focus on those 15 minutes, a few hours (5 to 10 hours) of preplanning upfront (1-Page Character Sketch, Character Growth Arc, GMCD chart), and 10 minutes every few days of making a bulleted possible-direction list for the chapter ahead, and a writer would be set to focus on first drafting.
15 minutes a day! Such a small amount of time in our busy schedules. Even with working on average 60-hour workweeks, I could have worked in 15 minutes of doing something I truly wanted to do and that meant so much to me.
So, don't you want your 15 minutes?
My former mindset was that I needed larger chunks of time to be able to focus on my writing. Say three or four hour blocks set aside just to write, which with working full-time plus, of course, never happened.
I see now that this all-or-nothing thinking was a skewed mindset and that I robbed myself of a great deal of writing experience, because at 15 minutes a day, an entire first draft of a novel could be completed in the span of a year.
In order to be able to focus on those 15 minutes, a few hours (5 to 10 hours) of preplanning upfront (1-Page Character Sketch, Character Growth Arc, GMCD chart), and 10 minutes every few days of making a bulleted possible-direction list for the chapter ahead, and a writer would be set to focus on first drafting.
15 minutes a day! Such a small amount of time in our busy schedules. Even with working on average 60-hour workweeks, I could have worked in 15 minutes of doing something I truly wanted to do and that meant so much to me.
So, don't you want your 15 minutes?
Sunday, February 17, 2013
In the Mood (for First Drafting)
The lights are low, a nearby candle flickers, soft music plays, and a subtle blend of scents fills the room. Oh, yes, I'm in the mood . . . to write.
First Drafting is an entirely different process than Revision. I recently posted about Changing Gears between the two processes as well as Regrouping when it came to Drafting versus Revision. Different mindset, methods, and courses of action; therefore, I purposefully set an atmosphere for first drafting and an entirely different one for revising. (Thank you Kat Duncan for your guidance!)
Once I've turned off the overhead lights and turned on a low-wattage desk lamp, extended an inch or so of the 60-hour candle and light the wick, I add a few drops of essential oils to the water bowl of the oil warmer and turn the warmer on. I then follow these steps:
First Drafting is an entirely different process than Revision. I recently posted about Changing Gears between the two processes as well as Regrouping when it came to Drafting versus Revision. Different mindset, methods, and courses of action; therefore, I purposefully set an atmosphere for first drafting and an entirely different one for revising. (Thank you Kat Duncan for your guidance!)
Once I've turned off the overhead lights and turned on a low-wattage desk lamp, extended an inch or so of the 60-hour candle and light the wick, I add a few drops of essential oils to the water bowl of the oil warmer and turn the warmer on. I then follow these steps:
- Review GMCD chart for current scene
- Set a timer for 10 minutes [Cool Timer is my favorite because I am able to set the alarm sounds (currently Wizard of Oz sound clips), and once started the timer can be minimized to the desktop tray so the countdown isn't visible.]
- Make a bulleted list of possible conflicts, actions, directions, and happenings of the next scene (no censoring, just flat out brainstorming)
- Fill the page of a 9.5" x 6" spiral notebook, either front or front and back, depending on the what's needed in the scene
- Stop when 10 minutes are up, ONLY allowing that 10 minutes to brainstorm
- Take a 5 to 15 minute non-writing break
- Sit at keyboard (laptop, computer, or Neo)
- Picture the setting of current scene, visualize characters in the scene, focus on the POV character's perspective
- Set timer for 15 minutes
- First draft for ONLY those 15 minutes
- Set timer for 5 to 15 minutes (alternating the following, as desired)
- Perform other non-writing related chore
- Take a reading break (read other author's books)
- Take a rest break - Return to keyboard and repeat steps 8 thru 11 (adding water and oil to warmer and extending and relighting candle, as desired) until first draft of scene is written
Friday, January 11, 2013
Transitions - First Drafting a Book in 21 Days, BUT....
In
mid-June 2012, I left my full-time job to write full time. Shortly,
thereafter.... Not THAT kind of writing transition. The life transition I
faced involved bringing my work ethic from working for someone else
over to working for, well, myself. I thought no big deal, right? Wrong,
wrong, wrong.
Juggling work for the company that employs you involves set deadlines. A majority of my work involved proposal submission time frames. To produce a proposal, you follow standard steps, just as you do to produce a book. For a book: brainstorm, plot, character-sketch, generate log line, Story GMC, Scene GMCDs, write the first draft, then revise and repeat. Yet, the time that producing a book was taking...something was off. After all, I finished the first book, didn't I. I'd write the next and the next. I'd get there, some how, some way, some day. SOME DAY?
Yep, it was the set deadline that was missing. In the past fifty (50) days, I first drafted twenty-one (21) of those days. The other twenty-nine (29) days, I revised the first book in the series and struggled with the crud Hubby brought home from his travels. During those 29 days, I did not first draft and did not create new chapters for the series, yet in the 21 days that I actually did write draft material, I finished the first draft of Book #2. (Ta-da!)
Author Dean Wesley Smith's recent blog post, The New World of Publishing: How to Keep Production Going All Year, brought to light the importance of the production of new words. Revise, yes, but in addition to revision or any other writing-type activity, writing new words takes top priority.
To continue to write full time and in order to hopefully make a living doing the same in the not so distant future, I must produce new words. SO, I now I have set deadlines for my writing production, not just, duh, I'm going to write a book, then write another one. My deadlines are realistic and include daily, weekly, monthly, quarterly, and yearly goals to reach those deadlines.
It's taken me a while, but in 2013, I am transitioned, baby!
Juggling work for the company that employs you involves set deadlines. A majority of my work involved proposal submission time frames. To produce a proposal, you follow standard steps, just as you do to produce a book. For a book: brainstorm, plot, character-sketch, generate log line, Story GMC, Scene GMCDs, write the first draft, then revise and repeat. Yet, the time that producing a book was taking...something was off. After all, I finished the first book, didn't I. I'd write the next and the next. I'd get there, some how, some way, some day. SOME DAY?
Yep, it was the set deadline that was missing. In the past fifty (50) days, I first drafted twenty-one (21) of those days. The other twenty-nine (29) days, I revised the first book in the series and struggled with the crud Hubby brought home from his travels. During those 29 days, I did not first draft and did not create new chapters for the series, yet in the 21 days that I actually did write draft material, I finished the first draft of Book #2. (Ta-da!)
Author Dean Wesley Smith's recent blog post, The New World of Publishing: How to Keep Production Going All Year, brought to light the importance of the production of new words. Revise, yes, but in addition to revision or any other writing-type activity, writing new words takes top priority.
To continue to write full time and in order to hopefully make a living doing the same in the not so distant future, I must produce new words. SO, I now I have set deadlines for my writing production, not just, duh, I'm going to write a book, then write another one. My deadlines are realistic and include daily, weekly, monthly, quarterly, and yearly goals to reach those deadlines.
It's taken me a while, but in 2013, I am transitioned, baby!
Thursday, January 3, 2013
Ta-da, Whoot and Yeah, Baby!
My one resolution for 2013 is to celebrate, appreciate and express gratitude (or is that three resolutions? Hmm...).
First Drafting is a struggle for me, or has been, until I finally accepted getting away from the computer to write the first draft on the NEO works best for me. As someone who's spent the majority of her life in front of a computer terminal, coming to grips that I write more prolifically and stronger material away from the computer was a struggle, yet the acceptance is life changing. I am now successfully and prolifically first drafting (Ta-da!)
One thing I appreciate writing-wise is learning that I don't have to write in word count or page count per day and realizing that I can write in units, for instance I set a goal of writing a certain number of scenes or chapters per day and an overall goal for the week. (Whoot!)
I am grateful for the opportunity to write full-time. Thanks to a supportive hubby, a lot of hard work in the last few years (workshops, courses, research) and awesome coaching/mentorships via Savvy Authors, I'm heading into 2013 under the steam of much enthusiasm. (Yeah, Baby!)
Look out world! 2013, the Year of the Alexa, has arrived!
First Drafting is a struggle for me, or has been, until I finally accepted getting away from the computer to write the first draft on the NEO works best for me. As someone who's spent the majority of her life in front of a computer terminal, coming to grips that I write more prolifically and stronger material away from the computer was a struggle, yet the acceptance is life changing. I am now successfully and prolifically first drafting (Ta-da!)
One thing I appreciate writing-wise is learning that I don't have to write in word count or page count per day and realizing that I can write in units, for instance I set a goal of writing a certain number of scenes or chapters per day and an overall goal for the week. (Whoot!)
I am grateful for the opportunity to write full-time. Thanks to a supportive hubby, a lot of hard work in the last few years (workshops, courses, research) and awesome coaching/mentorships via Savvy Authors, I'm heading into 2013 under the steam of much enthusiasm. (Yeah, Baby!)
Look out world! 2013, the Year of the Alexa, has arrived!
Sunday, December 23, 2012
2012 Writing Overview
200K?!?! Until I sat down to tally my word count for this blog post, I did not realize that I had written over 200,000 words during the past six months. Since this word count consists of actual first draft words written and does not take into account time spent on revision, I am shocked and a bit taken aback that I was able to produce anywhere near this level of words.
Since most of my days during the last six months have consisted of many your-not-doing-enough moments, the actual realization of what I actually HAVE accomplished is still sinking in.
In setting my initial goals, I did not take into account three factors: 1) a more extensive learning curve than expected, 2) prevalent heath issues, and 3) the very real adjustment of leaving a demanding full-time job.
With all three of the above factors addressed and taken into account, it should be interesting to see what 2013 brings.
Onward!
Since most of my days during the last six months have consisted of many your-not-doing-enough moments, the actual realization of what I actually HAVE accomplished is still sinking in.
In setting my initial goals, I did not take into account three factors: 1) a more extensive learning curve than expected, 2) prevalent heath issues, and 3) the very real adjustment of leaving a demanding full-time job.
With all three of the above factors addressed and taken into account, it should be interesting to see what 2013 brings.
Onward!
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